A few months ago, I wrote a piece on Daniel Radcliffe after seeing a show he was in while in London last summer (check it out HERE.) The show was called THE CRIPPLE OF INISHMAAN, an extremely dark comedy about an unfortunate cripple named Billy (Daniel Radcliffe) who dreams of a life outside his small Irish town. When I heard that the show was coming to Broadway, I was excited and nervous. Maybe, I wasn’t giving my fellow Yanks enough credit, but I wasn’t sure that the fast paced, borderline unintelligible dialogue would work with American audiences (or keep their attention for the 2 hours we were there.)
For a Wednesday evening the line going into the theatre was substantial at best. Right now NYC is buzzing with tourist from all over the world enjoying their spring vacation, so it can get a tad crazy around the theatre district. The out of towners, in particular, were extremely hype about seeing a “Daniel Radcliffe show” and I could spot the overzealous young fans who wanted to see Harry Potter up close and personal.
Set on the remote island of Inishmaan off the west coast of Ireland, word arrives that a Hollywood film is being made on the neighboring island of Inishmore. The one person who wants to be in the film more than anybody is young Cripple Billy (Radcliffe), if only to break away from the bitter tedium of his daily life. McDonagh’s comic masterpiece examines an ordinary coming-of-age in extraordinary circumstances and confirms his position as one of the most original Irish voices to emerge in the second half of the twentieth century.
This show is written by Martin McDonagh (who brought us In Bruges, The Guard, and Seven Psychopaths.) There is a darkness that shrouds the characters of the show, which makes the comedy so startling and hilarious. I love McDonagh, because his work always manages to make me laugh, and
However, seeing the show for the second time did affect how I watched this week's performance. First of all, knowing the entire story from start to finish made me focus less on the plot and more on the excellent dialogue and subtle jokes, which I definitely missed the first time around. I also have to mention that though Radcliffe is the headliner, the ensemble cast are truly the breakout stars, delivering the show’s finest performances. The first time, I was so focused on Daniel and observing his actions, that I didn’t really take in the performances of the people around him (like his hilarious
One thing I found interesting was how the American audience reacted to certain moments of the show in comparison to the British audience last year. For one, American audiences have a tendency to clap whenever the headlining star comes out on stage (which they did with Radcliffe, who doesn’t make a grand entrance.) He did not get that same welcoming in London. No one clapped or cheered. I, personally, found this refreshing, since I find that clapping for a star when they enter, just singles them out in a way that sets them apart from the rest of the group. I feel it’s more respectful to treat them just like the rest of the cast members, and not put so much emphasis on the fact that you probably flew all the way from Bigfork, Minnesota just to see a celebrity and not the show itself.
I also have to note that the audience was very warm and receptive to all the jokes, and clapped after every scene (which the British audience did not do.) One thing that I found hilarious was that the cruel jokes aimed at Radcliffe’s character Cripple Billy did not get a huge laugh over here. The jokes landed very well in London, igniting shrieks of laughter at poor Billy's expense. If you know McDonagh’s work, you know that these jabs at Billy and his ugly looks, and weak body are meant to be funny (because the jokes are so horrible, that they become comedic.) However, the American audience were very sympathetic and rarely laughed during those scenes. All you would hear were a flurry of "Awws" and "Oh, that's terrible." One of the rare occasions where I could clearly see the line between British humor and American humor (experienced the same thing when I saw the Book of Mormon at the West End.)TICKETS
Tickets are currently available on Telecharge.com:
THEATRE
The Cort
Theatre
138 West 48th Street (btwn 6th & 7th Aves)
New York, NY 10036
138 West 48th Street (btwn 6th & 7th Aves)
New York, NY 10036
PERFORMANCE
SCHEDULE
Tuesdays:
7pm
Wednesdays:
2pm and 8pm
Thursdays:
7pm
Fridays:
8pm
Saturdays:
2pm & 8pm
Sundays:
3pm
Special Thanks to:
 |
| Thank you to the Iroquois Hotel's Lantern's Keep for the wonderful pre/post-mixer |
Lantern’s
Keep is devoted to the artful enjoyment of cocktails, as displayed by these
turn-of-the-century aficionados. A hidden gem tucked behind the refined lobby
of the Iroquois, Lantern’s Keep is not a lobby lounge or a mere bar – it is a
unique entity in its own right, serving a carefully selected slate of
creative and inspired drinks in an intimate, exclusive environment. Each
of the Lantern’s Keep bartenders brings his or her own personal style
and experience behind some of the city’s best bars to cater to even the most
experienced cocktail experts.
ADDRESS
Lantern’s Keep
49 W 44th St., New York,
NY 10036
(212) 453-4287
INTERACTIVE
wow. i guess i need to add this to my list of shows to see. what a rave.
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